After about five hundred post-it notes, two hundred written pages, hundreds of reference pictures, five hundred storyboard pictures, millions of bloody tears, mixed feelings of joy, extensive courting, happy coincidences, and more than two and a half year’s of planning, it’s time to report about the progress of the Imaginarium movie.
The pre-production of Imaginarium is already in full swing. Pretty much everything revolves around the script, which is currently being finalized. This is the phase when the dialogue is honed to perfection and dramaturges offer critical feedback of the plot.
Pre-production is also the stage when various artists, led by the director, commence work on the sets, props, costumes, and make-up. Concept art is drawn, and both the director and the director of photography discuss the cinematography and the mode of story-telling with the help of the storyboard.
Unfortunately, pre-production is also a time of rejection, when many original visions have to give way for harsh reality. This is not bad as it seems, however. The story usually crystallizes at this point, and many ideas that originally felt so great reveal themselves to be essentially superfluous. And that’s a good thing.
Pre-production usually lasts several weeks, and coordinating the shooting schedule and especially building the sets, sewing the costumes and preparing the SFX can take months. So writing this a week from now would still be topical.
Each time we’ve listened to the Imaginarium demo, it has not failed to cause satisfied laughter, emotion-filled tears, or strong shivers in us. We hope that when the time comes, you’ll share those same feelings when watching Imaginarium on the silver screen or from the comfort of your sofa.
We bid you welcome to follow these waypoints on the road to Imaginarium.